Gosling has played an astronaut before in First Man. But his performance in Project Hail Mary is stellar. He shrugs off the austere astronaut attitude, sliding into the rumpled educator angst from Half Nelson. The comical exasperation he brought to the buddy-cop comedy The Nice Guys is folded into the earnest wonder of Barbie's Ken as he discovered Century City. Then, gently Gosling works in a fragile pathos of self-doubt, one that transforms Grace from a quirky astronaut into a flesh-and-blood man, battling his worst fears to give hope to a new friend. In this atmosphere, every laugh and gasp hits right in the solar plexus, rattling our tender hearts with absolute intention.
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